Blackmoor Vituperative

“It appears that marketing America still has plenty of time to do it over, but not nearly enough time to do it right.”

Succinct and right on target. Go read the article.

Last Saturday Susan and I went to the Naro for a show called “Night of the subversives”. The schedule was to include a one-act play, “Green”, a band called “Everybodydies”, and the movie Suburbia (which has had the title “Rebel Streets” every time I’ve seen it on the big screen).

It was really, really bad. It started out with the incoherent “play”, which mainly consisted of people moving props around and one guy yelling profanity at someone in the projection booth (which wasn’t part of the performance). Why did anyone think we would want to watch that for an hour? It was like watching someone get evicted from their apartment, but without any of the drama. I wanted to laugh (lots of people did), but it would have been mean laughter, like when you see that Star Wars kid embarassing himself on videotape for the world to see. Okay, I laughed a little, but mostly I was just bored and irritated. At least Star Wars kid had enthusiasm.

The band was okay. If I hadn’t had to sit through the previous wasted hour, and if there had been a bar, the band might have even been pretty good. As it was, I was annoyed and waiting for the damned movie to start. Another hour wasted. One good thing about the Naro is that you can bring in outside food, so I took off about midway through “Everybodydies” to get some victuals from the 7-11 down the block. That made the rest of the wait more bearable. On the other hand, the admission price for “Night of the subversives” was only five bucks, so I shouldn’t complain but so much.

Finally, Suburbia started. If you weren’t into the punk scene in the mid-1980s, this movie really pegs it. Sure, it’s over-the-top melodrama, and it’s easy to find faults with it (like the cop father — could he have been any nicer? I sure never met a cop like that when I lived in Orange County), but overall it’s a great snapshot of a moment in time. It was even worth waiting through two hours of grief to see it. I may get the DVD from Netflix to listen to the commentary. I hear that Spheeris really does mock the poor girl who got stripped in the first club scene (I guess she symbolized New Wave, or posers, or something). And yes, some punks of the time really were that violent. Not me, of course.

It’s that time of year again. I wish they’d just go ahead and get rid of the stupid IRS. It’s an anachronism, a useless drain on the economy, and an onerous burden on every business and taxpayer. Get rid of it already.

The Fair Tax is as good an alternative as I have seen. I would prefer not to pay it at all, of course, but the thugs with guns will never permit that. “Protection” rackets are like that.

Some evidence that Europeans are smarter than Americans: a study carried out Sunday 2005-03-06 by XiTi Monitor on a sample of web sites from five European countries, on a total of 16,650,993 visits, indicates that Firefox usage among consumers in Europe may be much higher than it is in the USA. Of the countries studied, Germany ranks highest at 21.4% and Italy ranks lowest at 8.6%. The United States, by comparison, currently ranks around 6%.

1. Germany: 21.4%
2. France: 12.2%
3. UK: 10.9%
4. Spain: 9.0%
5. Italy: 8.6%

This study shows that the German web surfers are very advanced, with 21.4% of users preferring Firefox. For web sites whose target audience includes Germany, compatibility with Firefox has thus become an essential requirement.

…It is important to note that these measurements were taken on a Sunday, i.e. at the time of peak usage of Firefox. Indeed, one always observes less usage of this browser during the week, since businesses are slower to change than individuals.

You can read the original article at the XiTi Monitor site.

April Editorial from Scientific American Magazine

Okay, We Give Up

There’s no easy way to admit this. For years, helpful letter writers told us to stick to science. They pointed out that science and politics don’t mix. They said we should be more balanced in our presentation of such issues as creationism, missile defense, and global warming. We resisted their advice and pretended not to be stung by the accusations that the magazine should be renamed Unscientific American, or Scientific Unamerican, or even Unscientific Unamerican. But spring is in the air, and all of nature is turning over a new leaf, so there’s no better time to say: you were right, and we were wrong.

In retrospect, this magazine’s coverage of so-called evolution has been hideously one-sided. For decades, we published articles in every issue that endorsed the ideas of Charles Darwin and his cronies. True, the theory of common descent through natural selection has been called the unifying concept for all of biology and one of the greatest scientific ideas of all time, but that was no excuse to be fanatics about it. Where were the answering articles presenting the powerful case for scientific creationism? Why were we so unwilling to suggest that dinosaurs lived 6,000 years ago or that a cataclysmic flood carved the Grand Canyon? Blame the scientists. They dazzled us with their fancy fossils, their radiocarbon dating and their tens of thousands of peer-reviewed journal articles. As editors, we had no business being persuaded by mountains of evidence.

Moreover, we shamefully mistreated the Intelligent Design (ID) theorists by lumping them in with creationists. Creationists believe that God designed all life, and that’s a somewhat religious idea. But ID theorists think that at unspecified times some unnamed superpowerful entity designed life, or maybe just some species, or maybe just some of the stuff in cells. That’s what makes ID a superior scientific theory: it doesn’t get bogged down in details.

Good journalism values balance above all else. We owe it to our readers to present everybody’s ideas equally and not to ignore or discredit theories simply because of a lack of scientifically credible arguments or facts. Nor should we succumb to the easy mistake of thinking that scientists understand their fields better than, say, U.S. senators or best-selling novelists do. Indeed, if politicians or special-interest groups say things that seem untrue or misleading, our duty as journalists is to quote them without comment or contradiction. To do otherwise would be elitist and therefore wrong. In that spirit, we will end the practice of expressing our own views in this space: an editorial page is no place for opinions.

Get ready for a new Scientific American. No more discussions of how science should inform policy. If the government commits to blindly building an anti-ICBM defense system, that can’t work as promised, that will waste tens of millions of taxpayers’ dollars and imperil national security, you won’t hear about it from us. If studies suggest that the administration’s antipollution measures would actually increase the dangerous particulates that people breathe during the next two decades, that’s not our concern. No more discussion of how policies affect science either – so what if the budget for the National Science Foundation is slashed? This magazine will be dedicated purely to science, fair and balanced science, and not just the science that scientists say is science. And it will start on April Fools’ Day.

THE EDITORS
editors@sciam.com

from:
Scientific American
April 2005

Here’s another case of a company (ab)using the legal system to make the world a less creative place. That is no surprise, but this is: this time, the evil corporation is Apple. An employee at Google created a Mac OSX inspired interface, where the icons enlarged when the cursor rolled over them, complete with a little love poem to OSX. Ah, the pain of unrequited love: Apple appears to have objected (Apple has sought patent protection for its rollover technique), and the offending page is now missing from Google (however, you can see a mirror of it here).

A patent for a rollover? Are they kidding? No, sadly: they aren’t.

Mark my words: if we don’t reverse this trend of permitting companies to subvert the legal system for their personal (or corporate) gain, it is going to be the downfall of our society. That isn’t hyperbole, folks.

Library Of America has published the works of H.P. Lovecraft, whose birthday (were he still alive) is March 15. There’s a saying that most geniuses aren’t recognized as such until they are gone. Lovecraft is a profound example of that phenomenon. When he died at 1937, he was practically unknown. John Miller has a pretty good article in OpinionJournal that sums up (very briefly) Lovecraft’s life and influence. I particularly like this passage:

“Now all my tales are based on the fundamental premise that common human laws and interests and emotions have no validity or significance in the vast cosmos-at-large,” he wrote upon successfully resubmitting the original Cthulhu story. “One must forget that such things as organic life, good and evil, love and hate, and all such local attributes of a negligible and temporary race called mankind, have any existence at all.”

If you are still using CVS, you are putting yourself through unnecessary pain: Subversion is here to make your life easier. I have been using it on my projects for the last year or so: I won’t use CVS again if I have a choice in the matter.

If you are new to Subversion, or perhaps new to version control in general, you’ll need a client to access the repository. Jeremy Jones has written an OnLAMP review which compares and contrasts RapidSVN, TortoiseSVN, and the command line, which you will find useful and educational: Subversion UI Shootout. He’s included screenshots, examples, and has taken the time to explain how each client handles specific commonly-performed SVN tasks. Check it out.

On the other hand, if you have heard of Subversion, but are leery of migrating your precious code repositoty, you should read Ben Collins-Sussman’s Dispelling Subversion FUD article. He gives you the straight dope on Subversion’s real and imagined weaknesses.

I have learned that there is a grassroots campaign asking for movie studios and DVD manufacturers to get their act together before dumping a pile of mutually incompatible high definition DVD (HD-DVD) formats on the market. I have mixed feelings about this.

On the one hand, I wholeheartedly support any effort to get manufacturers to pull their heads out of their collective ass. The nonsense with DVD-R, DVD+R, ad nauseam is ridiculous: there was and is no need for the introduction 0f DVD+R or DVD+RW. DVD-R, DVD-RW, and DVD-RAM are the official standards, and they are completely adequate to the tasks they perform.

On the other hand, I do support technological diversity, because I think it permits consumers to participate in the weeding-out process. Would you rather have used Betamax videotapes during the 1990s, with their two-hour limit on tape length? I wouldn’t. I am also leery of the ongoing war that large media companies are waging against fair use — a war they are waging against you and me, using the courts, technology, propaganda, bullying, and any other tactic that they can get away with. If they are permitted to dictate the next DVD format, you can be sure that it will be so encumbered by “digital rights management” features that it will make the current “region code” nonsense seem a utopian dream by comparison. In fact, I wouldn’t be surprised if they eventually tried shackling each DVD to a specific player, and then charge you a fee every time you push “Play”. There’s simply no lower or more debased creature than a control freak.

So: do I want there to be a single, robust, universal HD-DVD standard? Yes. Do I trust the studios and large media companies to create it? Absolutely not. I want competing standards. I don’t want to see the next DivX become a success because it has no competition.

A great science fiction classic, Forbidden Planet, is playing this Friday and Saturday at the Naro Expanded Cinema. By today’s standards, of course, Forbidden Planet is silly, cliched, and melodramatic, but that’s mainly because it was a trend setter. Every great work of fiction that goes on to inspire countless imitators becomes a cliche. Tolkien’s work is probably the best example of that. You need to remember that when Forbidden Planet was made, Sputnik had yet to be launched, and Star Trek was a decade away.

Despite its antiquity, Forbidden Planet holds up remarkably well, both in its special effects and in the scientific explanations for the fantastic events which take place. The matte paintings are splendid, and Dr. Morbius’ explanations of the Krell’s technology is at least as scientifically sound as those one hears from characters on the bridge of the Enterprise. It’s also refreshing to see what Leslie Nielsen was like before he became a caricature of himself: as Commander Adams, he’d give Captain Kirk a run for his money. (It’s a pity that Police Squad hasn’t been released on DVD, though.)

Forbidden Planet is part of an intermittent series of films in honor of the local late-night movie host, Doctor Madblood (a childhood hero of mine). It plays at the Naro on Friday, March 18 at 22:00 and Saturday, March 19 at 11:30 and at 22:00.