Tonight’s movie was “Cruella” (2021). We both really enjoyed this. It’s a heist movie, it’s a revenge movie, it’s an antihero movie, and the costumes and makeup are FABULOUS. I had low expectations, so maybe that is why I am so enamoured of it, but still when you get the chance, watch this. Also, the soundtrack is freaking brilliant.
Fun fact! I have never seen the “One Hundred And One Dalmatians” (1961) cartoon. But I intend to see it soon. Tomorrow, if it’s on Disney+.
Taking a brief break from my parking pergola project, so I am watching “Magnetic Monster” (1953). I estimate that one-third of the movie is stock footage accompanied by a monotone voiceover. This is not a very good movie, but it has a remarkable cast. Every scene has a face you’ll recognize (well, if you are horribly, horribly old).
The plot reminds me a bit of “Monolith Monsters” (1957).
[Later…] Hey, this was directed and co-written by Curt Siodmak! Son of a gun. I sometimes get Curt Siodmak confused with Clifford Simak, who wrote one of my favourite books, “City” (1952).
RiffTrax recently announced a soon-to-be-released riff of the Gumby movie. (Is it “a” Gumby movie? Did Gumby do more than one?) I asked if it was the actual movie, or if 10-20 minutes had been cut from it for the RiffTrax riff. No one seemed to know, but a number of “fans” complained that I would ask such a thing. “Good luck with that.” “Maybe RiffTrax isn’t for you.” “Maybe it’s time to move on.” etc.
I think these must be newer RiffTrax fans. That makes me happy (yay, new fans!), but also a little sad. Because you know, for about a decade, “is this the movie you say it is?” wasn’t even something you needed to ask. You could buy a riff knowing nothing else than it was from RiffTrax, and be happy you did. If they said they had riffed the movie, you could trust that it was true. “We don’t make movies: we make them funny.” Those were some good times.
Is it time to move on?
Someone in the above discussion said something like “they’ll survive without your ten dollars”, which got me thinking: how much have I been spending on this? I’ve been buying RiffTrax since the beginning (14 or 15 years, I think), but my current records only go back about six years. In the past six years, I have been supporting RiffTrax at the cost of $400 per year ($398.33, to be exact). I was happy to pay that, for all of those years… until this recent trend of selling incomplete riffs became the norm. And it is the norm, I am sad to admit: they have said point-blank that this is what they do now. It’s their livelihood, and they have to do what they think is best for the business. So I guess the question is if what they do now is still worth that much to me. And I think I have known this for a while, but I just didn’t want to admit it: it’s not.
Thank you, RiffTrax crew (and Film Crew, before that), for over a decade of good times. I wish you and your new fans nothing but the best.
P.S. They cut about 15 minutes from that Gumby movie.
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Fun fact! Anyone can place a copyright claim on any YouTube video you post. You can, of course, dispute that claim. Who resolves that dispute? The person who made the claim. And when they decide against you, and for themselves, YouTube will then punish you for disputing the claim.
On this day in 1945 in Berlin, German Field Marshal Wilhelm Keitel signed the second of two unconditional surrenders by Nazi Germany to the Allies, including the United States.
America at its best is Antifa.
LOS ESPANOLES ANTIFASCISTAS SALUDAN A LAS FUERZA LIBERADORAS
I have been looking at other places in earnest since early 2016, but have fantasized about it since the early 2000s. Places that have come and gone on my list of potential destinations are Mexico, Ecuador, Panama, the US Virgin Islands, and the Czech Republic (which I suppose is called Czechia now). Nowadays my short list is Nova Scotia (Canada), Portugal, and most recently Estonia. We’ve never actually been to Portugal or Estonia — by the time we became aware of those, our near-future travel plans had already been made (we plan trips at least a year ahead), and then travel ceased to be possible due to the pandemic.
Between the pandemic and the fact that we are far too comfortable in our current jobs (neither of which we could keep if we expatriated), I suspect we may have waited too long to leave. Which is … not sad, exactly. We are well off, and the problems of the USA are at arm’s-length for us. So it seems ungrateful to complain. But I wish we could leave. I don’t want to be here.
Panama is attractive due to its ease of immigration and favourable tax laws, but it’s too hot, too wet, and just as expensive as the USA. We are excluding it from consideration.
You can’t really trust what International Living says. They don’t outright lie, but they exaggerate the good parts and gloss over the bad parts. Also, they are relentless spammers.
Is good news even a thing anymore? Not “making the best of it” news. Not “people staving off doom for one more day” news. Not “here’s some trivia about some stranger’s personal life” news. Not “be thankful things aren’t even worse” news. Actual good news.
The United States was founded on good intentions, which are continually foiled by 1) racism so entrenched that some people think it’s synonymous with being American, 2) ordinary people’s worship of the ultra-wealthy as our “royalty”, who are rich by divine right, 3) a cultural obsession with warfare, and 4) neo-Puritan hypocrisy of such an intensity that it would be difficult to exaggerate it — no matter how bad you think it is, it’s actually worse. One-third of the USA literally belongs to an apocalyptic death cult which extols lies, hatred, and death as the core of their “morality”.
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Blackmoor Vituperative
